![]() ![]() When Marzo undid the stitching to repair the book, he uncovered a series of annotations hidden inside the edges of the pages, as well as a mysterious set of scribbles on the inside of the manuscript’s cover. However, a previous restoration attempt had left the binding damaged in such a way that made it impossible to see or scan some of the text. In one recent instance, Marzo was given a manuscript from the British Library’s Delhi Collection to scan as part of a digitization project. The worst ones can destroy priceless artifacts, while some simply obscure precious information due to carelessness or a lack of skill, as conservator Flavio Marzo writes for the British Library’s Collection Care blog. But like any other kind of repair job, there are bad restorations, too. A properly trained conservator will not only know how to do it, but will know what is historically sympathetic to the material.”īeing sensitive to the materials and techniques used to make an ancient book can reveal all sorts of information about the documents it contains. Not only is it not the same materials, but the techniques that were used are not the same. ![]() “In much the same way, you can’t restore a 16th-century book in the way you would a 20th-century book,” conservator Sonja Jordan-Mowery tells Humes. Meanwhile, binding techniques evolved throughout the centuries, with different eras and areas using different styles to keep their books whole, Larry Humes reports for the Sarasota Herald-Tribune. Researchers study how to make books themselves in order to understand how older manuscripts and documents were put together, as well as what materials were used to originally make them. However, when it comes to restoring these books, it takes a lot more than simply scanning the pages into a computer.Ĭonserving books is as much an art form as it is a skilled trade. There are a lot of advantages to these techniques-not only can they be stored and cleaned up even if the originals are too delicate, but digitizing old books can allow more people to read them than if they only existed as physical objects. Pair these clips with questions from the Why Cultural Heritage Matters Conversation Guide for rich discussions or writing in your classroom, group, or home settings.In recent years, conservators and preservationists have turned to digital tools to preserve old texts and manuscripts. If you do not have time to view the entire 30-minute program, check out these short clips for thought-provoking insights. You will soon discover that the Coronavirus isn’t the only topic worth talking about! Quick Inspiration. Encourage your conversation partners to share the program with others and hold their own watch parties. You will find interesting and thought-provoking questions and quotes to spark your thinking or journaling. After the program, continue the conversation with a phone call, Zoom meeting, FaceTime or a good old fashioned over-the- backyard fence chat – just remember to keep the fence between you!Ĭheck out the Why Cultural Heritage Matters Conversation Guide for topics and ideas to guide your discussion. Have everyone watch the program independently or invite them to watch it “with” you at the same time from their own socially isolated locations. Hold a virtual watch party! Invite your friends, family, book group, church community, neighbors, card group, or anyone else you can think of to view the program online. Why Cultural Heritage Matters is a co-production of the Hill Museum & Manuscript Library (HMML) and Twin Cities Public Television (TPT). Watch to hear a message of hope during these uncertain times about how we can work together to preserve the stories of the past, so that we may better understand the present and help build a brighter future. ![]()
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